During the Jeondogwan era, Elder Park Tae-sun preached about salvation using themes such as ‘Castle’ like ‘Thousand Year Castle’, ‘Two Thousand Year Castle’, ‘Three Thousand Year Castle’, and themes like ‘Fence’ such as ‘First Fence’, ‘Second Fence’, ‘Third Fence’, and themes like ‘Door’ such as ‘First Door’, ‘Second Door’, ‘Third Door’.
Here, the castle, fence, or door is not important; the fact that it is the third one is important.
Therefore, the first role is that of a spiritual mother raising the savior, Elder Park Tae-sun. The second role is Eve, the victor, the instructor who completes the savior in the secret chamber. The third and final role is Adam, the victor, the savior, who, through the refinement of the secret chamber, overcomes himself, overcomes the devil, and overcomes the power of death, becoming one with God to be God incarnate.
Thus, Elder Park Tae-sun’s sermons ultimately mean, ‘Abandon all false saviors and go to where the true savior is to attain salvation.’